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Dave Caddo

Hometown: Brooklyn, NT,

Stance: Regular

Status: Pro

Notes:

Sponsors: Creation, Satori, Ace Trucks

Last Update: Friday, January 30, 2009

Dave Caddo COVERAGE

Full Page, Editorial: Pole jam for the Fender Bender in Uraguay artcile..
Photo by Xeno
Full Page, Editorial: Frontside lipslide sequence on a circular up and down ledge for the Extra feature. .
Photo by Mehring
Two Page, Editorial: Backside flip off a street bank for the Contents page. .
Photo by Mehring
Two Page, Editorial: Frontside boardslide transfer on a flat ledge to drop for the Focus feature..
Photo by Ryan Flynn
Two Page, Editorial: Ollie up to frontside tailslide on a street bank for the Focus feature..
Photo by Mehring
Two Page, Editorial: Ollie over a 6 stair handrail and sidewalk gap for the Gringoing Wild article..
Photo by Allen Ying
Full Page, Editorial: Backside tailslide 270 out on a street bank spine for the Gringoing Wild article..
Photo by Allen Ying
Half Page, Editorial: Frontside stalefish on a street quarterpipe for the Gringoing Wild article..
Photo by Allen Ying
Full Page, Editorial: Back 50-50 on a 9 stair hubba for the Last of the Mohicans article..
Photo by Allen Ying
Full Page, Advertisement: Full cab back lip sequence on a bank for a Creation ad..
Photo by Unknown
Company: Creation Skateboards
Full Page, Advertisement: Ollie over a 3 stair set bar gap for a Creation ad..
Photo by Allen Ying
Company: Creation Skateboards
Two Page, Editorial: Ollie over a bank to bank for the All Roads Lead to Tampa article..
Photo by Zach Malfa-Kowalski
Two Page, Editorial: Lipslide on a bench back for the Howl feature..
Photo by Mehring
Full Page, Editorial: Drop in to gap out sequence on a stair set ledge for the Wha' Happened article..
Photo by Allen Ying
Two Page, Advertisement: Ollie over a sidewalk plus bar gap for a Creation ad..
Photo by Allen Ying
Company: Creation Skateboards
Full Page, Editorial: Frontside 180 to switch crooked grind on a bump to ledge for the Selections article..
Photo by Uyeda
Full Page, Editorial: Ollie over a rail into a bank for the Squawk Box feature..
Photo by Mehring
Full Page, Advertisement: Frontside tailslide to bluntslide fakie sequence on a bank hip for a Satori ad..
Photo by Unknown
Full Page, Advertisement: Bluntslide on a handicap bump to bar for a Creation ad..
Photo by Allen Ying
Two Page, Editorial: Nollie backside 180 fakie manual to forward sequence on a bank to manny pad for the Who? article..
Photo by Allen Ying
Two Page, Editorial: Kickflip to fakie on a cellar door for the Who? article..
Photo by Allen Ying
Two Page, Editorial: Backside flip sequence off a bump for the Who? article..
Photo by Allen Ying
Full Page, Editorial: Frontside 5-0 on a bank to wall for the Who? article..
Photo by Allen Ying
Full Page, Editorial: Portrait for the Who? article..
Photo by Allen Ying
Full Page, Advertisement: Gap kickflip over a Jersey barrier for a Creation ad..
Photo by Unknown
Full Page, Advertisement: Gap kickflip over a Jersey barrier for a Creation ad..
Photo by Unknown
Full Page, Advertisement: Gap kickflip over a Jersey barrier for a Creation ad..
Photo by Unknown
Full Page, Editorial: Kickflip off a bump for the On the Waterfront article..
Photo by Mehring
Full Page, Advertisement: Backside air on a natural tranny for a Creation ad..
Photo by Simecki
Full Page, Advertisement: Backside air on a natural tranny for a Creation ad..
Photo by Simecki
Two Page, Editorial: Frontside stale fish on a bank for the Foto section..
Photo by Joe Brook
Full Page, Editorial: Frontside 360 sequence off a bump into a street for the Check Out feature..
Photo by Allen Ying
Two Page, Editorial: Gap to frontside tailslide sequence on a bump to ledge for the Brooklyn article..
Photo by Allen Ying
Full Page, Advertisement: Front board on a bank to wall for a Creation ad..
Photo by Allen Ying
Full Page, Editorial: Ollie off a bump for the Foto feature..
Photo by Allen Ying
Two Page, Editorial: Gap to backside nosegrind on some steps for the Focus section..
Photo by Mehring
Full Page, Editorial: Shifty ollie..
Photo by Mehring

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